Beste Single-Kamera Bildbearbeitung für eine Dramaserie
- ALIAS (Phase One, ABC)
- The Sopranos (Whoever Did This, HBO)
- 24 (5.00 am – 06.00 am, FOX)
- 24 (8.00 am – 09.00 am, FOX)
- West Wing (25, NBC)
Beste Single-Kamera Bildbearbeitung für eine Sitcom
- Curb your Enthusiasm (Corpse-Sniffing Dog, HBO)
- Curb your Enthusiasm (Krazee-Eyez Killa, HBO)
- Malcolm in the Middle (If Boys were Girls, FOX)
- Sex and the City (Anchors Away, HBO)
- Sex and the City (Lucky be An Old Lady)
Beste Single-Kamera Bildbearbeitung für eine Minieserie, Movie oder Special
- Door to Door (TNT)
- Hitler: The Rise of Evil (Night I, CBS)
- Homeless to Harvard: The Liz Murray Story (Lifetime)
- Live from Baghdad (HBO)
- Taken (Episode III, Sci Fi)
Beste Multi-Kamera Bildbearbeitung für eine Serie
- Everybody Loves Raymond (She’s the one, CBS)
- Frasier (Rooms with a View, NBC)
- Friends (The One with Barbados, NBC)
- Will & Grace (Marry Me a Little, Mary Me A Little More, NBC)
- Friends (The One with The One With Ross’s Inappropriate Song, NBC)
Beste Multi-Kamera Bearbeitung für eine Miniserie, Movie oder Special
- 75th Annual Academy Awards (ABC)
- AFI’s 100 Years ... 100 Passions: America’s Greatest Love Stories (CBS)
- Bruce Springsteen and the E Street Band (CBS)
- The 25th Annual Kennedy Center Honors (CBS)
- Paul McCartney’s Back In The U.S (ABC)
Beste Bildbearbeiung für ein nicht-fiktionales Programm
- American Experience (PBS)
- American Experience (PBS)
- James Cameron’s Expedition: Bismarck (Discovery Channel)
- Journeys With George (HBO)
- Survivor: The Amazon: More Than Meats The Eye (CBS)
Bestes Hairstyling für eine Serie
- ALIAS (The Counteragent, ABC)
- American Dreams (I Want To Hold Your Hand, NBC)
- MADtv (Folge #805, FOX)
- Sex and the City (Plus One Is The Loneliest Number, HBO)
- Six Feet Under (Perfect Circles, HBO)
Bestes Hairstyling für eine Miniserie, Movie oder Special
- Cher (The Farewell Tour, NBC)
- Door to Door (TNT)
- Frank Herbert’s Children Of Dune (Sci Fi)
- My House In Umbria (HBO)
- Napoleon (A&E)
Beste Leitung (Elektronik, Multi-Camera) für eine Musiksendung
- 75th Annual Academy Awards (ABC)
- American Idol (The Final, FOX)
- Cher (The Farewell Tour, NBC)
- Rolling Stones (HBO)
Bester Vorspann
- The Anna Nicole Show (E!)
- Hysterical Blindness (HBO)
- Napoleon (A&E)
- Normal (HBO)
- Penn & Teller: Bullshit! (Showtime)
Bestes Makeup für eine Serie
- ALIAS (The Counteragent, ABC)
- CSI (Lady Heather’s Box, CBS)
- MADtv (Folge #801, FOX)
- Sex and the City (Plus One Is The Loneliest Number, HBO)
Bestes Makeup für eine Serie (mit Prothesen)
- CSI (Got Murder?, CBS)
- Enterprise (Canamar, UPN)
- MADtv (Folge #806, FOX)
- Primetime Glick (Folge #301, Comedy Central)
- Six Feet Under (Perfect Circles, HBO)
Bestes Makeup für eine Miniserie, Movie oder Special
- Frank Herbert’s Children Of Dune (Sci Fi)
- Helen Of Troy (USA)
- Napoleon (A&E)
- Rudy: The Rudy Giuliani Story (USA)
Bestes Makeup für eine Miniserie, Movie oder Special (mit Prothesen)
- Door to Door (TNT)
- Soldier’s Girl (Showtime)
- Taken (Sci Fi)
Beste Musik für eine Serie (Drama)
- The Agency (The Great Game, CBS)
- Enterprise (The Expanse, UPN)
- JAG (Need To Know, CBS)
- Odyssey 5 (Pilot, Showtime)
- 24 (22.00 - 23.00 Uhr, FOX)
Beste Musik für eine Miniserie, Movie oder Special (Drama)
- Eloise At The Plaza (ABC)
- Hitler: The Rise Of Evil (CBS)
- The Lost World (Part II, A&E)
- Martin And Lewis (CBS)
- Tennessee Williams’ The Roman Spring Of Mrs. Stone (Showtime)
Beste Leitung im Bereich Musik
- 75th Annual Academy Awards (ABC)
- Cher (The Farewell Tour, NBC)
- Christmas In Washington (TNT)
- Meredith Willson’s The Music Man (ABC)
Beste Musik und Text
- The Concert For World Children’s Day (Aren’t They All Our Children, ABC)
- The Fairly OddParents (What Girls Love, NIck)
- The Fairly OddParents (It's Great To Be A Guy, Nick)
- It’s A Very Merry Muppet Christmas Movie (Everyone Matters, NBC)
- The Simpsons (Everybody Hates Ned Flanders, FOX)
Beste Musik im Vorspann
- Boomtown (NBC)
- Everwood (The WB)
- Miracles (ABC)
- Monk (USA)
- Penn & Teller: Bullshit (Showtime)
In den nächsten Tagen reichen wir Teil III nach